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West

West
MSRP: $13.98
Your Price: $10.97
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Manufacturer: Lost Highway
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Though the arrangements stray from Lucinda Williams's motherlode blend of blues, country, and folk, West may well be her best album. It is easily her most musically adventurous, and often her most lyrically inspired. Williams's singing has never sounded better, from the aching tenderness of "Where Is My Love?" to the ravaged catharsis of "Unsuffer Me." New York producer Hal Willner, who has worked with artists such as Marianne Faithful and Lou Reed, enlists the support of eclectic progressives like guitarist Bill Frisell, keyboardist Bob Burger, and violinist Jenny Scheinman, along with harmonies from the Jayhawks' Gary Louris, to weave a subtly rich sonic tapestry. Much of the material was inspired by the death of Williams's beloved mother ("Mama You Sweet," "Fancy Funeral") and the bitter breakup of a relationship (the jagged-edged emasculation of "Come On," the repetitive incantation of "Wrap My Head Around That"), though "Are You Alright?," "Learning How to Live," and "Everything Has Changed" could reflect the aftermath of both. Other highlights include "Rescue," with a languid subtlety and ambient pulse reminiscent of Beth Orton, and the dreamy, wistful title track. Where Williams's music has long cut close to the bone, the best of West slices right through it. --Don McLeese

Lucinda Wiliams Photos        

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What Customers Say About West:

The rest of the material ranges from mediocre to stuff that is cringeworthy. Lucinda is best when she creates finely crafted songs and then works with a good producer to hone the sound of each song. I am a huge fan but the truth is this album is a big step down from the levels she achieved with Carwheels and continuing with her next two albums. Her attempts to loosen things up and write stream of consciousness lyrics or perform in a totally spontaneous way plays to her weaknesses. Sorry Lucinda. "I'm Learning How." is an absolute classic. For that alone I give the album two stars.

Thanks. This is a great cd, and I recommend it. There have already been plenty of reviews, I just want to say, this is a great cd. I really liked the song "Wrap my Head" (Wrap my Head around That).

Gonna grab her earlier cd's now, I'm hooked. West is an excellent record.vocals, arrangements, musicianship, tone.and I popped this in after listening to Megadeath before it. I'm sorry to say this is the first Lucinda Williams cd I've purchased. I've often thought of giving her a try, rather than just catching her on public radio but for some reason I never did.

I first heard the compelling nasally slow draw (in the good sense) voice of Lucinda Williams on tribute albums. Williams' cover work I am more ambivalent about her own albums. I mentioned in a review of that CD that very seldom did anyone cover a Hank Williams song better than he did himself. I also made the same statement on her cover of Mississippi John Hurt's "Beulah Land" on his tribute album.

"Mama You Sweet", "Words", "West" and "Rescue" clearly rise to the occasion. This album under review is such a case. She, obviously, can write thoughtfully of love, lost, the cruel nature of the world, her family and other subjects but for the most part that feeling I got from the above-mentioned efforts is missing here. As I say, the rest is so-so and suffer a little from trying to cross-over from her country base. A few do, however, stand out. First, on the Hank Williams tribute album, "Timeless", where she did a cover of his classic tale of love's trials and tribulations "Cold, Cold Heart".

I do not understand what is driving her on some of these songs. I noted the exception of Lucinda on that rendition of "Cold, Cold Heart". Finally, I noted the fine job that she did on a duet with John Prine on "Wedding Bells" on his "In Spite Of Ourselves" cover album of country classics.That said, although I have high, very high regard for Ms.

She is great live and so talented. Wonderful CD. Can't wait for the new CD to come out in a few days.

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